Friday, March 4, 2011

Assignment 3 - The Issue of Girl Models



Assignment 3 - The Issue of Girl Models

This week we will continue to look at the issue of ethics - in the context of using children as models in photography. Please look at the discussion threads and ASSIGNMENT #3 on the blog: http://2011citvisualculture3.blogspot.com/

The issues raised by David Marr and Melinda Tankard Reist are all strong points that are being brought up time and time again with still no standard to what can be considered tasteful or exploitive. This is because photography as a medium can be interpreted in so many different ways by each individual based on beliefs and personal experiences.

I have a big belief in intent. I believe in life in general intent counts for a lot and particularly in photography. I personally view photography as an art from which has been developed through my years in college where art and photography were incorporated into the same class. The intent of Bill Henson's work in comparison to that of Vogue's publication are very different and have both been interpreted in many individual ways.

Bill Henson has taken images that are strikingly and technically beautiful. The context of these images I believe are to create art but art that displays a theme. The theme in much of Henson's work is dealing with young adolescents and the sexuality that comes with that age. 'The mad times we are living' is how David Marr describes his dissapointment in the reaction given to Bill Hensons work. He describes how Bill Henson has been demonised. It is understandable to see how people can react this way but it is also a shame that the public is not more understanding and open to others wiewpoints.

Another issue to be considered is what if these photographs were taken by a female not a man. Would there not be so much publicity surrounding the photographs? Would it be an issue at all?





http://www.roslynoxley9.com.au/artists/18/Bill_Henson/1222/43276/


Bill Henson's photographs bring up issues of agency and exploitation. Henson gained consent from both the parents as well as the young girls within his photographs and there fore did what is legally required. The uproar came from wether the young girl really understood the themes within the photograph and if she would later regret the photograph. It does raise issues of if someone did wish to retract a photograph it is a lot harder in this digital age with everything being distributed on the internet rather than just destorying a negative.

This then brings me to the 15 page spread of young girls that was featured in french Vogue. It is stated that the intent was to be a parody and I guess that raises a point as to the standard age of models these days. They just keep getting younger! It is all well and good to raise an issue such as this and to make a point through visual imagery the only issue is that instead of condoning it the meaning and intent is changed as soon as it was published with a fashion magazine. The audience is also then entirily different when published withihn this magazine and those whom are more likely to appreciate the beautiful clothes and perfection of the young girls as apposed to the otehr issues of how would the girls be trully able to understand this at such a young age.








http://faire-delamode.blogspot.com/2010/12/vogue-features-6-year-old-models-in.html

Being a photographer I can definatly see that there is a unique view and that the photographs are aesthetically beautifully constructed but it is hard to look past the age. I guess this can be similar to compassion fatigue in the way that there are so many sad images out there that the impact isn't as great, we have become desensitised in a way to the use of young girls because we see young females spread across the covers of magazines everyday.

Assignment 2 - Ethics and Photojournalism

Assignment 2 - Ethics and Photojournalism

The first topic is Photojournalism and ethics. We talked a fair bit about it in History of Photography in relation to the Hurley composites and after the DVD of James Nachtwey. This week I want you to read pages 446-452 of the chapter "Contemporary Issues" and then complete assignment #2


Assignment 2
Read the excerpt from "Contemporary Issues" (only pages 446-452) about "Ethical Photojournalism" and write a one paragraph reflection on what you consider the most important issues raised in this text. Include an example of a photograph (properly labelled, of course) that you think illustrates these issues.


Upon reading the article Contemporary Issues I kept thinking back to year 11 when my much respected art and photography teacher showed me the Pulitzer Prize photography book. These documentary images had such truth and sadness behind them that they have had a lasting impact on me.

The article raises many questions. Such as ethics, exploitation, manipulation and truth. Manipulation in photography is a time long debate. Every choice that is made by the photographer effects the way an image is viewed, from the exposure of an image to complete rendering of a photograph. The simple act of creating a dark image can portray a scene as sad and gloomy where as a bright image is usually displayed as happy and hopeful. It is important for all photographers especially photojournalists to have and maintain their own code of ethics in order to produce images that are not exploitative or misleading. "Such
gains were made by advocacy of honest picture taking and the resulting integrity that it brought." - John Kaplan

Particularly in this digital age we are seeing more and more manipulation of images which in photojournalism is false and misleading. There is a certain beauty behind the truth within images. The below examples are both cases of what the photographer saw, is what the viewer gets. These Pulitzer prize winning photographs are not aesthetically pleasing, nor beautiful. They are not constructed in a way to catch attention; it just does because it is as real as the human life in the photograph. I guess the hard task in photojournalism is to be able to catch those eye catching images that are still truthful.



http://rogerhollander.wordpress.com/2009/11/06/wounded-knee-to-vietnam-to-today/




http://pulitzerprize.org/photography/kevin-carter-1994/

"Kevin Carter’s Pulitzer Prize winning photo taken in 1994 during the Sudane famine. the picture depicts a famine stricken child being stalked by a vulture. The child is moving towards a United nations food camp, located a kilometer away.

Three months later, and only weeks after being bestowed with the Pulitzer prize, Kevin Carter committed suicide. " - Extract from: http://pulitzerprize.org/photography/kevin-carter-1994/

Assignment 1 - Favourite Photograph

Assignment 1 - Favourite Photograph

Your first post: Choose a single contemporary photograph that has really moved you/inspired you recently. Upload the image with appropriate credits and write one paragraph about the image. What is it that you find so interesting?

Aaron Nace

Website: http://www.aaron-nace.com/

Photo By: Aaron Nace (http://www.aaron-nace.com/)

Aaron Nace has been a full time professional photographer and digital retoucher for over ten years and considers himself an artist. He graduated with a degree in Industrial Design from the college of design at NC State University. Aaron often constructs quite heavily manipulated images that create a magical/fantasy atmosphere. A lot of his editing is very realistic which is a focus of his although many of his photographs are greatly photoshopped and therefore appear artificial. The above image I find to be very inspiring. It has a beautiful natural feel to it but still with an element of enchantment. I am really interested in the work of Annie Leibovitz and Alexia Sinclair who both set the bench mark in beautiful and magical photographs and Aaron Nace is another photographer who captures these concepts through his work.
I love a photograph that has a hint of a story behind it. It creates an interesting conceptual narrative which adds a certain depth within a photograph. The image has striking warm tones and colours with stunning directional lighting and a dreamlike setting. The over sized teddy and women with a childlike persona add to the dreamy feel of the photograph. I draw a lot of inspiration from images like this and try to include the same qualities within my own work.